‘Water Music’ (White Ibis) 2024
watercolour & acrylic on rag board
50.16 cm x 46.35 cm
19.75" x 18.25"
"If I could see what I hear." CB
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‘Study for White-tailed Tropicbird’ SOLD
watercolour on arches (cold press) paper
29.21 cm x 36.83 cm
11.50" x 14.50"
"The idling pivot of the Tropicbird .. sways the world's scales, tilts cobalt sea and sky."
Inspired by Derek Walcott. (b. 1930) West Indian Writer
‘Study for White-crowned Sparrow’ SOLD
watercolour on arches (cold press) paper
17.78 cm x 17.78 cm
7" x 7"
“… having some fun with tendrils.” CB
‘Study for Sea & Sand’ 2023 SOLD
watercolour on arches (cold press) paper
24.13 cm x 26.03 cm
9.50" x 10.25"
" ... and the beach bird stood immobile for a time, observing the turtles and a muskrat, two black ducks and a green heron, as if certain of its central place in a strange and beautiful universe."
Peter Matthiessen (1927-2014) American Naturalist & Writer
‘Waking the Dawn’ 2023
acrylic on rag board
21.59 cm x 26.03 cm
8.5” x 10.25”
“Looking out from behind the studio .. I spent many a morn waiting for the sun to break, before feeling confident enough to dive in to this piece.” CB
‘Across the Sound’ 2023 SOLD
acrylic on rag board
48.26 cm x 42.54 cm
19” x 16.75”
“Early morning on Harrington Sound, Bermuda. Inside an old boathouse, looking out through a screened window, there was a ‘flattened’ image of mangrove trees being projected by the rising sun. The flatness and monochrome of the image reminded me of some ancient wood block prints I had seen from the Far East. A narrative set up, which became the impetus for ‘Across the Sound’ and no matter how the painting evolved from there, it would be imperative that I stay the course and maintain that similar aesthetic.” CB
As well, I’m happy to report, that this piece will represent me/my work in this year’s ‘Birds in Art’ exhibition at the Leigh Yawkey Woodson Art Museum. (Wausau, Wisconsin, U.S.A.) September 9 - November 23
UPDATED September 17: Just returned from a wonderful opening weekend of 'Birds in Art' to some fabulous news .. 'Across the Sound' has been acquired by the Museum and will be placed in their beautiful permanent collection!
‘Moment of Reflection’ 2023
watercolour & acrylic on rag board
28.89 cm x 30.79 cm
11.375" x 12.125"
“Swirling clouds
and bubbles surfacing.
A disturbance on the water.” CB
‘Awareness’ (Collared Aracari) 2022
watercolour on rag board
62.54 cm x 27.30 cm
24.625” x 10.75”
“Consciousness without thought ..
Birds, animals and plants have a lot to teach us about how to live more deeply in the present and how not to get lost in thought.” CB
June 2023
Announcing an exciting new NFTs for conservation initiative with Art for Our Sake.
Artists Making a Difference in the World through their Art and NFTs.
For more information, please visit my news page or click on the banner below.
‘Study for Reflections of Spring’ 2022 SOLD
watercolour on rag board
21.27 cm x 25.71 cm
8.375” x 10.125”
‘Silent Stillness’ 2022 SOLD
watercolour & acrylic on rag board
27.94 cm x 29.21 cm
11” x 11.50”
“White is Light.” CB
“ … The brighter it becomes, the more it loses its sound, until it turns into silent stillness and becomes white.”
Wassily Kandinsky (1866-1944)
‘Study for Afterglow’ 2021 SOLD
watercolour & acrylic on rag board
20.95 cm x 25.4 cm
8.25” x 10”
“Venturing in to this piece .. was like taking a trip in to the great unknown.” CB
‘Light of Truth’ 2020 SOLD
watercolour & acrylic on rag board
59.69 cm x 62.23 cm
23.50” x 24.50”
“Find the Truth .. and Be the Light.” CB
‘Jackson Lake / Revisited’ 2019 SOLD
acrylic on rag board
26.03 cm x 27.95 cm
10.25” x 11”
“This was an older piece, but sometimes, I just have to go back and in this case, I ended up re-working around 70% of the painting .. for the better.” CB
‘Still Life’ 2019
acrylic on rag board
50.8 cm x 44.45 cm
20” x 17.50”
“A moment of stillness .. for all time, or will it be over in a second?
There is an underlying tension here. Captivated, I too become still and I wait.” CB
‘The Space in Between’ 2018 SOLD
watercolour & acrylic on rag board
78.74 cm x 70.48 cm
31” x 27.75”
“The word ‘nebulous’ came to mind the morning I looked out on the water. I was drawn in to that seemingly infinite space, reeling in the gap between heaven and earth. As if like a bird on the wing, searching for a lost horizon dissolved by the light. I felt a sense of peace and calm wash over me there. In this composition, it is my hope that the introduction of light ‘portals’ will help invite the viewer in, to dwell, if only for a moment in that infinite, timeless space in between .. and experience the same kind of peace and calm as I did on that fine summer’s morning.“ CB
‘Yellowthroat’ SOLD
watercolour on arches (hot press) paper
38.73 cm x 18.41 cm
15.25” x 7.25”
“I guess one could say that I have a ‘thing’ for Yellowthroats and that would be true. As well as being one of my favourite wood warblers, they are among the most wonderful subjects to help aid and assist in creating strong, dynamic compositions. I see their black ‘mask’ acting as a tool that not only weighs heavily on the dark end of the scale, but naturally accentuates the focal point.” CB
‘A Study for Young Whooping Crane’ SOLD
watercolour on arches (cold press) paper
17.15 cm x 29.84 cm
6.75” x 11.75”
“Fading in .. I see this young bird as a symbol of hope for the future of the species.” CB
‘A Study for Andean Goose’ SOLD
watercolour on arches paper
29.21 cm x 31.11 cm
11.50” x 12.25”
“Establishing a mood can be achieved with the careful handling of light and gesture.” CB
A 'conceptual' sketch for ‘Come Rain or Shine’
watercolour on arches paper
14 cm x 28 cm
5.50” x 11”
“From ideas, come visual 'notes' .. then conceptual sketches become compositional studies, which evolve in to the final piece.” CB
‘A Study for Liquidity’ SOLD
watercolour on arches cold press paper
27.94 cm x 30.48 cm
11” x 12”
“A 'compositional' study for the painting I would call 'Liquidity'. I make studies like these to help establish a foundation upon which I can build a solid painting.” CB
“In future and on a more regular basis, I will continue to post latest work here, but will also place sketches, studies and details that may be of some interest.” CB
‘Study for Warm Front’ SOLD
acrylic on rag board
31.75 cm x 22.86 cm
12.50” x 9”
“This may not look like a 'Study' .. but it is one of the paintings I made to help determine a favourable combination of light, colour and contrast for the painting I called 'Warm Front' (Greater Flamingo).” CB
Study for ‘Needle & Thread Alley’ (Bermuda) SOLD
watercolour on arches cold press paper
25.4 cm x 27.94 cm
10” x 11”
“While I've been working on another, rather complex piece for some time now .. and would like to see it through to completion at some point very soon. I couldn't resist finding some relief in revisiting and reworking this study any longer.” CB
‘Synchronicity’ (Wood Duck)
watercolour & acrylic on rag board
45.72 cm x 50.80 cm
18” x 20”
(Collection of the Leigh Yawkey Woodson Art Museum. U.S.A.)
“Exploring the concept of underlying connectedness and 'meaningful coincidences' as Carl Jung suggests ...” CB
“... Synchronicity takes the coincidence of events in space and time as meaning something more than mere chance.” CJ
“It’s an abstract concept that seems to embody the intuitive response I had that day in October, when I conceived this work. It points to a ‘deeper order’ or an underlying connectedness of things. I use the word ‘intuitive’ because looking out that day and seeing the colours and shapes and becoming aware of the patterns that were starting to emerge, I was reminded of the ornate shapes and colours that decorate the Wood Duck. Moments later, I spotted them and instantly wondered if somehow my subconscious had already been aware of them. A meaningful coincidence perhaps, these patterns aligning without cause.” CB
‘Out of Silence’ (Snow Bunting)
watercolour & acrylic on rag board
53.34 cm x 60.96 cm
21” x 24”
“Subtle tones of 'white' on white, pushing and pulling with colour temperature .. creating depth, space and 'air' in between .. to let it breathe.” CB
“In order to see birds, it is necessary to become a part of the silence.”
Robert Lynd (1879-1949)
Together at last :
‘Earliest Birds’ SOLD
acrylic on rag board
50.8 cm x 39.37 cm
20” x 15.50” (framed)
“Earliest Birds' and its new frame have finally been united.
Beautifully crafted by 'The Gilder' in Toronto, Canada.” CB
Please visit: thegilder.ca
‘LightSwept’ SOLD
acrylic on rag board
48.26 cm x 20.32 cm
19” x 8”
“A Yellowthroat goes undercover, as an approaching storm threatens to extinguish the last glimmer of light.” CB
‘Earliest Birds’ SOLD
acrylic on rag board
36 cm x 25 cm
14” x 9.75”
“Although, I have never seen Ibis at Point Pelee...
this painting was inspired by early morning treks along the east beach to the tip.” CB
“Sweet is the breath of morn, her rising sweet, With charm of earliest birds.”
John Milton (1608-1674) English Poet